![]() ![]() First, Pro-Ject included a felt platter mat. So, in the spirit of that fuss, here are two small quibbles. I’m particularly fussy, though, which shouldn’t be a surprise. I’d say a total novice could do this without any problems in a half hour or less, provided he was careful. I stuck to using only what Pro-Ject provided for the initial install, then double-checked everything using my own gear, and have to admit that it was really close to perfect from the start. I particularly loved the adjustable feet, which made leveling the deck as easy as placing a bubble on the platter. Since I’ve installed more than a few of these entry-level ’tables at this point, I didn’t have to refer back to the manual over and over again nonetheless, Pro-Ject did a fantastic job of making the steps as simple and straight-forward as possible. The EVO took me under ten minutes to set up, and everything felt dialed-in and ready to go almost immediately. It’s an interesting dance of packaging and instructions, but Pro-Ject got it right. Turntables are tweaky, and yes, very inconvenient, but the best entry models distill that set-up process into something manageable, something that won’t frustrate and completely annoy a first-time future audiophile. Aesthetics are important, maybe not as important as sound, but we do have to live with these things, after all, and I hate staring at ugly stuff.īut what impressed me the most was the easy setup, something that seems more and more necessary for an entry-level deck. I love that it comes in more than one color, and while my review unit was a staid white, I wouldn’t mind checking out the satin-blue, or green, or yellow models. The sleek, glossy finish, the gorgeous tonearm, the solid weight…all made the Carbon EVO seem like a step beyond a standard entry-level deck. That was the first thing that came to mind. The Carbon EVO doesn’t come with the built-in phono preamp that many manufacturers shove in there at this price point, but I definitely didn’t mind its absence. All this augments what was an already attractive, high-quality package, which includes Pro-Ject’s 8.6″ carbon-fiber tonearm with easy-to-use RCA outputs. ![]() Plus, Pro-Ject now bundles the EVO with the Sumiko Rainier cartridge, which is a solid performer. The Carbon EVO is Pro-Ject’s upgrade to its popular entry-level deck, and it adds some very interesting features: an improved motor suspension, height-adjustable damped-metal feet, dampening material in the interior of the platter, and speed-swapping at the flip of a switch. What’s exciting about the Pro-Ject Debut Carbon EVO ($499) is the potential for down-the-rabbit-hole tweaks married to almost absurd simplicity. ![]() They range from hulking, massive monstrosities that take an entire village to move, down to minimalist cutouts that are barely more than a rotating platter and a tonearm floating on a pedestal. They have to be large enough to accommodate and spin a 12″ vinyl disc, along with all the accoutrements. ![]()
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